Adjaye Associates — Practice profile
Adjaye Associates was established in June 2000 by founder and principal architect, Sir David Adjaye OBE. Receiving ever-increasing worldwide attention, the practice has studios in London, New York and Accra and completed work in Europe, North America, the Middle East, Asia, and Africa. Two of the practice’s largest commissions to date are the design of the Smithsonian Institution’s National Museum of African American History and Culture on the National Mall in Washington D.C. and the Moscow School of Management (SKOLKOVO). Further projects range in scale from private houses, exhibitions, and temporary pavilions to major arts centres, civic buildings, and masterplans. Renowned for an eclectic material and colour palette and a capacity to offer a rich civic experience, the buildings differ in form and style, yet are unified by their ability to generate new typologies and to reference a wide cultural discourse.
Completed works include: Ruby City, a new gallery for the Linda Pace Foundation in San Antonio, Texas, the regenerative Morning Lane Arches retail corridor in Hackney, London (2016); Sugar Hill museum and housing development in Harlem, New York (2015); the Aishti Foundation arts and shopping complex in Beirut, Lebanon (2015); Alara Concept Store in Lagos, Nigeria (2014); Marian Goodman Gallery, London (2014); the Ethelbert Cooper Gallery of African and African American Art at the Hutchins Centre, Harvard University (2014); two neighbourhood libraries in Washington DC (2012); the Stephen Lawrence Centre in London (2007); the Museum of Contemporary Art in Denver (2007); Rivington Place Gallery in London (2007); The Nobel Peace Centre in Oslo (2005); and the Idea Stores in Tower Hamlets, London (2004 and 2005) – two pioneering community libraries in London’s Tower Hamlets.
Some current projects include: 130 William, a 66-story luxury condominum tower in Lower Manhattan, The Abrahamic Family House in Abu Dhabi commissioned by The Higher Committee for Human Fraternity; a new home for The Studio Museum in Harlem, New York; offices for the International Financial Corporation in Dakar, Senegal; a regenerative cultural campus on the site of Tel Aviv’s disused former central bus station and the National Cathedral of Ghana in Accra, Ghana.